Another candidate in my continuing quest of finding books about any kind of topic under the sun: the Oxford English Dictionary. Acquired from my public library's perpetual gently used book store (also features c.d.s, DVDs, puzzles and children's books).
In case anyone was thinking the worst about my blog, have no fear, as this is a writing update on my now five volume series that has a working title of "Sister v Sister".
As the post title hints at, the end is really within sight with this series. Over two years of hard work, totaling (as of the day of this post) 1,200+ pages/112 chapters and a shade over 550k+ words. Oh, least I forget, this is also (currently) spread out to 8 three ring binders.
In the time spent writing this weighty tome, I have developed what I believe is a solid theory that can be applied to all books, consisting of two good points and one incredibly fugly point.
Good point #1: The basic idea for the story. This, in my opinion, is the easiest goal to accomplish. If you consistently carry a small pocket notebook and a pen, you can easily jot down ideas for stories as you go about your day. In my particular case, the story idea was a kidnapping. We fleshed it out afterwards, but the premise was very simple and very basic.
Good point #2: A starting and ending point. Again, in my opinion, it's another easy goal to accomplish. You decide on how you want it to start and how you want it to finish. In my case, it was a home invasion that was the actual starting point to the story. As for the ending point, it was to be the two sisters and the husband of one to become co-rulers of an unknown planet.
Fugly point #1: It has to be the journey itself from the beginning of the story to the perceived ending of the story. It truly does become something with all of the meaty entrees, appetizers, salads and desserts. A true smorgasbord of delightful pieces that make your story complete, but man, it can drive you to pull out a pair of Zircon encrusted tweezers so you can remove all those hair follicles from your body just to kill the mental pain.
With all of the various side plots, side tangents and the solid growth of all the characters involved (e.g. dribbling in almost one dozen highly necessary backstories for all of the characters involved, no matter how long they hang around for), and if you're like me, a pantster, you have to find a way to keep track of all of those various story parts.
For me personally, it was the chapter-by-chapter print out, which was soon followed by a bullet point synopsis that made it up to chapter 96 before petering out. Still, it has been a nightmarish process, as it seems that the closer I get to the actual ending, the harder it's becoming to write each chapter that takes me to that actual ending. Especially since it's taking me a bit of time to wrap up the various plot lines as I progress to the ending.
And even when I finally do write the intended ending, which is still in flux as we speak (think of it as a movie anecdote where the scriptwriter is furious pounding out enough re-writes in order to film the movie for the next few days, only to wash/rinse/repeat), I still have to write a bunch of epilogues. Why, you might ask?
Well, wouldn't you like to know what the immediate aftermath for all of the characters once the final ending is written? I certainly do, because even though I'm toying with the idea of writing a few adventures for those characters, I still want to know what the final outcome will be for them. For example, I would like to know what the final fallout will be with the kingdom after the coup d'etat is enacted.
So the T.L.;D.R. of this post would probably read something like this: our blog host is finally heading down the home stretch of a typical writing marathon and desperately trying not to be the very last runner to cross the finish line, but kept getting sidetracked as he learned and applied new (to him) writing techniques in order to create a thoroughly enjoyable tome.
So my question to you is this: does my proposed theory sound off the mark, spot on, or somewhere in between?
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