Episode #330: Being Fresh In A World Of Inadvertent Redundancies

A classic overview from the early 2000s, before the Democrats decided to run the capitol into the ground by allowing the tail (criminals) to wag the dog (the law abiding citizens).

Eighteen years of blogging can often bring unintended consequences into the mix. What do I mean by 'consequences'? In this particular scenario, eighteen years of blogging created nearly 1,800 total posts, give or take, which can, and does, lead to the issue of being redundant from time to time.

For example, while I was performing another round of edits on book #5 (even though I was doing computer edits on #4, I was still doing edits on the next book), I came up with the brilliant idea of writing about world building for a blog post. The next day, I remembered that I had covered this topic quite extensively in a series of posts nearly two years ago, so writing about it now would be a tad redundant (If you're curious, search the Jan-Feb 2024 posts called "How We Go Here From There").

With that particular topic now scratched off the list, we pivoted to the topic of how I enjoyed writing in the fantasy genre. Specifically, how the fantasy genre really has no rules on what you can and can't write about and how there's no given formula for a successful book (unlike Romance, which there's one strict guideline you must adhere to). But like the previous topic mentioned, we wrote about this extensively in a previous year.

Thus, we pivot to searching for another topic to write about, and then searching our memory archives to see if our potential topic(s) have been touched upon previously. And guess what, we found a topic that we hadn't touched upon in any great detail previously.

I am an anomaly in the word of writing, in that my political viewpoints can be described by the seldom used descriptor as 'centrist', and by the modern descriptor as 'moderate'. Now, I wasn't always like this, because back in the day, I was heavily influenced by family political leanings.

My father was a conservative Democrat, who was moderately involved in town politics and union politics (then as now, you needed to be a Democrat), and in my younger years (70s & early 80s) I had the impression that Democrats were good and Republicans were bad, so at 18, I was a registered Democrat.

Fast forward a decade: by 1992, I was soured on the Democrat party on the state level (then as now, my state has been solidly controlled by the Democrats going on 45 years), so I switched over to being a registered Republican. The original hash tag of 'Walk Away' could apply here, and I've never looked back.

Fast forward to now.

In 2026, my viewpoints have gradually changed about certain things/ideas, while on other issues have remained the same, because unlike everyone under the age of 35, I have quite a bit of historical knowledge of those issues.

Having said that, it saddens me that other writers, who I used to respect, have permanently derailed/deplatform themselves from the reality of what the average person is forced to go through on a daily basis.

These people (I do have derogatory name for them, but I keep it on YouTube and Meta), have allowed themselves to be influenced by the MSM's visceral hatred of President Trump to such an extent that you simply cannot have any kind of adult conversation with them, w/o them taking leave of their senses.

So basically in 2026, I practice the concept of simply scrolling on by whatever comments my FB friends make about certain events, because everyone has the right to post what they truly believe in. I can respect that, so I simply don't engage because I believe it isn't right to argue an opposing viewpoint on someone's personal page with someone else.

As I said, I am an anomaly among my writer friend's/acquaintances, because my political viewpoints are centrist in nature and based in reality. And in today's world, the majority's reality is often trampled by the vocal minority's unrealistic reality of feelings don't care about facts.

And that makes me truly indifferent to the perceived problem that an annoying segment of the populace 'suffers' through on an hourly/daily basis.

Have a Happy rest of your week, and remember, step outside and smell the asphalt, because it's certainly a lot better than inhaling stale air, moldy food and UV rays from your computer screens for hours/days on end.

{c} 2026 by G.B. Miller. All Rights Reserved

Episode #329: What Hath The Vinyl Gods Brought Unto Me?

As I've mentioned previously, I have a relatively large music collection, divided between out of date media (cassettes); stubborn media that doesn't believe they're out of date (c.d.s) and media that has been in and out of date more times than a coffee drinkers daily intake (45s & LPs mostly).

This week's post is about that pesky runt of the bunch, a runt where original copies stopped being produced by the conglomos by 1992: 45s.

My 45 collection isn't what you would call huge, unless you think having nearly 1,000 units covering nearly a bakers dozen worth of genres huge.

However, my 45 collection came about in roughly the same way that my L.P. collection grew: 20% of actual money being spent, and 80% being offered said items after having a version of the following conversation:

Strange friend/acquaintance/family member: "Hey G.B.! I found this box of 45's left on the side of the road. Do you want them?"

Me: "Sure."

I should note that this did actually happen. My brother was taking one of my children to a b'day party, and he found a box of 45s by the side of the round that someone was throwing out.

Now the main reason why the percentage of 45s purchased is so ridiculously low, boils down to a strange facet about me. A fact that you've probably never came across in your entire life: I never really listened to music in a way that most people did while growing up. Sure I listened to it on the radio (mostly AM Radio), but I never actually went out to buy the music I was listening to. For me, music was something more akin to pleasant background noise than anything else.

I didn't actually start acquiring that particular media until I was in my late 20's, and ever since I been making a good dent into making up for lost time. Especially after I started working for the state in the mid 1990s, and I had co-workers who exposed me to other genres than what I grew up listening to.

I would now like to present to y ou a few samples from my collection. Please excuse the minor water damage on the covers, for they were caught in the minor basement flooding of 2021.

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1} Boxed set of The Carpenters.

This one is a little weird, in that I actually read the liner notes on the box for this post (I know, slap my hand with a ruler). It's a tribute to The Carpenters that originally came out in 1994 (reissued as a CD in 2011, now out of print in that format, but available as a download). Because this came out in 1994, it features such eclectic artists as: Sonic Youth, 4 Non-Blondes, Mathew Sweet and Grant Lee Buffalo, just to name a few. All performers who put their spin on the classic Carpenter music.

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2} Boxed set of Grieg's Peer Gynt Suite #1.

I have a treasure trove of boxed classical sets, some were pressed in the regular black vinyl, others like this one, were pressed in color vinyl. Back in the late 50's/early 60's, color vinyl was a thing that companies would use to make their product stand out (ex. I have a polka 45 that is pressed in green vinyl). RCA Victor was no exception, as back then I think their only major rock act they had was Elvis, with everyone else being in the classical/easy listening/popular* music genres.

*Back then, 'popular music' referred to what we call "The Standards" today, that every ye oldies musician sings trying to stay relevant (e.g. Rod Stewart).

Speaking of popular music of the 50's/early 60's, we have the following EP collection.

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3} Jackie Gleason presents.

This music was the type you would often hear in the background of "serious" movies of that era. These were pieces that were "conducted" by Jackie Gleason, after he had "chosen" theme as per his "musical tastes".

Now the sarcasm peppered in that previous paragraph, is directly due to me taking the liner notes with a mega dose of skepticism. Knowing what I've learned about the entertainment business over the decades, especially for that era, I'm leaning towards his image/name being used in order to sell more records, and thus, just like how it's done in ye modern times (image/name is everything these days).

Anyways, these are just a sample of the type of 45's I have sitting in my collection: a majority of original music sprinkled with a few reissues. with the majority being acquired via the simple method mentioned at the beginning. I will say I do find them to be a fascinating history/look at musical tastes and company products/logos.

Have a smashing Monday and sparkling week.

{c} 2026 by G.B. Miller. All Rights Reserved

Episode #328: It Certainly Isn't Christmas, But We Can Still Celebrate Them Movies

Say "Hi!" to the squirrel that we love to hate on. As I've previously stated we came to a non-peaceful resolution (like the US and the rest of the world), and so long as he stays in his lane, I'll stay in mine.

Like most of you, I grew up on the Christmas specials and movies that were part and parcel of our existence. And like some of you, my tastes changed as I grew older. For example, by the 2000s, the only Christmas specials I would watch would be the Charlie Brown Christmas movie and the annual 24 hour showing of A Christmas Story on TBS.

Fast forward to the mid 2010s, and the only Christmas movies I was watching were on Hallmark, which included a multitude of remakes of A Christmas Carol. Note: George C Scott and Harry Winkler had excellent versions, while Jack Palance made a truly bizarre one set in the west where the famous refrain of "Bah! Humbug!" was replaced with "Blah, blah, blah."

Fast forward to 2026.

I'm at the point in my life where I now enjoy an eclectic mix of Christmas movies that oddly enough, run the gamut of today's movie rating system (American style). So in this post, I would like to present three charming examples of the type of Christmas themed movies that I enjoy (and will try to buy copies of because physical media is cheap).

1} A Grandpa For Christmas (2007)

This charming movie features Ernest Borgnine as a divorced grandfather who is also a retired actor, is estranged from his daughter via parental alienation. One day he receives a phone call from a distant hospital telling him his daughter was badly injured in a care accident and that his granddaughter needs a temporary guardian.

It's one of those gradual family reconciliation movies, where the daughter finds out what her father was really doing for her behind the scenes. It's not quite maudlin or a tearjerker, and fortunately it's not one of those typical Hallmark-type of movies, but comes very close to it. It feels dated, in that everything is circa early 2000s (e.g. IPod) but it's an enjoyable movie.

2} Lost Christmas {2011}

I have mixed feelings about Eddie Izzard. Much like a few others who I can't tolerate as a person but their output is fantastic (e.g. Sean Penn, John Cusack, Kevin Spacey), he is a good actor (except at IMDb has him now listed as an actress) and this movie, that I found on cable, is no exception.

The very short non-Wikipedia synopsis: "As night falls on Christmas Eve, an enigmatic man named Anthony awakens on the streets of Manchester (UK) with no memories of the past and the unique ability to locate the lost."

To me, the underlying theme of the movie, which I only understood after watching it, was "What if?" What if one choice was made instead of the other, would the trajectory of a person's life change?

Actions have consequences, and the actions of one had a profound effect on the lives of others. This movie is particularly dark, but I believe it realistically portrays a slice of life that is often overlooked during the Christmas season.

This movie has a ranking of 7/10 on IMDb and 89% on Rotten Tomatoes.

3} Bad Santa (2003)

I like Billy Bob Thornton as an actor and as a person. His first one, which he wrote, directed and produced, Sling Blade, is a fantastic movie about a simple man trying to reintegrate back into society after a long stay in an asylum. Highly recommend.

But Bad Santa is an over the top film of crass mayhem. Billy Bob plays one of those mall Santas, who plans a dept store robbery with his "elf". Along the way, he comes an authority figure to a young tween who severely needs one, and brings his "girlfriend" into the mix (there is a memorable three word exclamation that I cannot say on this blog, but if you mention it, most people will automatically know what movie you're talking about).

It should come to nobody's surprise that I really enjoyed this movie, which also features Bernie Mac in one of his last movie roles and John Ritter, as it had reminded me a little of Animal House with its controlled chaos.

I think one of the reasons that I enjoy these three movies, is that Christmas isn't overwhelming the movie, but it's more like a good background noise that isn't too intrusive, but let's you know it's there. To me, these movies have good stories that are enhanced by the Christmas season, instead of being overwhelmed by the same, and that makes them enjoyable.

Thanks for stopping by for another round of what G.B. likes to watch in celluloid. Have a fantastic week.

{c} 2026 by G.B. Miller. All Rights Reserved

Episode #327: Building A Brand New (Fictional) Society Is Not For Weak

As you can see, the Peace Treaty of G.B. Squirrel is now in full effect. Squirrel has claimed the uncomfy chair under the unshady tree as his home away from home, and is no longer interested in hanging from the bird feeder; and I have no interest in chasing after him for munching out of his species class.

Today's post is a deeper dive into a concept that I had first touched upon nearly two years ago, which is prominently featured in my fantasy series: sentient beings.

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I had first became enamored with the concept of sentients while watching Star Trek: DS9, when one of the primary characters was a host to an internal being, aka a symbiont/sentient. I had originally seen that concept first applied by Star Trek: TNG, when other beings were often, albeit temporarily, take over another person in order to properly communicate with the outside world.

Fast forward several years to the mid 200s. We had decided to buckle down and get serious with our writing, and so I started searching around for ways to make my storytelling stand out. One way was writing in that vast genre called "fantasy". Another way was to write half of my characters as hybrids (which gradually changed over the years to around 90%); and yet another way was to liberally use the concepts of sentient beings and hosts.

With my first major novel: Line 21 (trad)/The Inner Sibling (indie after rights reversion), I applied all of those concepts mentioned above. I was very happy with the end result, and while it did do much of anything for sales (a mixture of my naivete and the publisher's marketing philosophy), it was a great way to see if that genre was one that worked for me.

I subsequently spent the next decade or so tweaking and fiddling with my usage of sentients in my stories. I eventually published a novella that featured a moderate reliance on having a sentient character.

We now fast forward to the spring of 2022. I started working on the last of four writing projects that I had saved from a minor basement flood in 2021. By the time I wrote the proverbial "the end" in 2025, I had created a brand new society/culture of sentient beings.

Now I went pretty deep with this entire concept, which included such concepts as a Almighty Sentient Deity; a very strict code of ethics and behaviors for both the sentient and the host to follow; guides that would help them in times of crisis; I even included rules where they were allowed to reside on their host's body.

Even though death was a prerequisite for becoming a sentient being, how one came about to be dead was an essential component too: by violence, legal or otherwise.

To me, I equate becoming a sentient being to the concept of reincarnation. So to that end, I wanted to make this particular concept available to only three who had passed away to violence, legal or otherwise. My definition of legal is crimes against the state. In this aspect, they're giving the choice of death or reincarnation as a sentient being, with the option of choosing a host.

I have two examples of this philosophy: one of my sentients was giving a snap choice of being a sentient or experiencing an infinite loop of death for the crime of killing another; the second is of a sentient being who was convicted of terrible crime and not only was turned into a sentient being, but was turned into what 1984 would call an 'unperson'.

The otherwise option is basically this: death that isn't sanctioned by the state; or to put it bluntly for the purpose of this series, military-style raids/battles.

I have three such examples of this particular philosophy: one who was killed during the initial raid that started the series, and returned as a translucent semi-solid; one who was kill during the first attempt at capture; and finally, one who was killed during the second attempt at recapture.

The last one mentioned is the one where I decided to showcase how one became a sentient, from the initial death all the way through to when they find their host. It does make an interesting read about death and reincarnation.

In conclusion, I'm not sure if doing two kinds of world building is something I would want to pursue again. While it was definitely an interesting learning experience, doing world building can be exhausting, if only for the amount of detail that is required to make everything as realistic as possible.

I sincerely hope everyone has a fantastic sunshiny week.

{c} 2026 by G.B. Miller. All Rights Reserved