This was taken on one of my few full scale (for me) hikes in Cedar Mountain this year. Legs are to the point where going up an incline greater than 1% causes great pain, but the peace and tranquility I do get in the aftermath is well worth the aggravation.
This week's post was inspired by a mediocre e-zine article that I had via the M$N news aggregate that listed their version of a top 20 cover song list, and one of the covers mentioned was "Boys of Summer" done by a mediocre alt-rock band called The Ataris.
Now I've listened to that cover and that mediocre version is the only standout of the mediocre collection surrounding that song.
Stating my opinion about a mediocre cover song by a mediocre band perfectly segues into my personal opinion that cover songs fall into three distinct categories: versions done by quality indie bands/artists that exceed the original; versions done by known bands that equal the original, even when they put an unusual twist; and versions done by known bands that sound like they were phoned in or done to make a quick buck.
Four artists that immediately come to mind that fall into the first grouping are Post Modern Jukebox, Violet Orlandi, Frog Leap Studios and Broken Peach. They managed to harness the power of YouTube and parlay that exposure into live stream concerts, higher quality videos, original songs, original full length c.d.s (the former has 10 c.d.s out, two have released/are releasing their debut and Frog Leap has released about 80+/- full length downloadables) and tours. I highly recommend checking them out as all four are fantastic artists.
The second grouping, known artists that have done covers that have equaled/surpassed the originals, are the ones that I will truly rave about, because their covers show that they actual care about the final product. Some examples are as follows:
- I Fought The Law by the Dead Kennedys: This particular song actually got me hooked on the DKs back in the early 2000's. It's a skewered version that features the events surrounding the deaths of activist Harvey Milk and S.F. mayor George Moscone.
- In Bloom by Sturgill Simpson: This is one of the few cover versions of a Nirvana song that absolutely knocks it out of the park. It's moody, dark and in my personal opinion, is how the song should've been played originally.
- Boys Of Summer by The Hooters: This is the song that triggered me to write this post. This cover by The Hooters, is performed in the way that I believe does this song justice: lightly dark, foreboding, melancholy for what was illicit for a brief moment in time. In my personal opinion, the song should've never been presented with an upbeat tempo.
- Black Betty by Ram Jam: This was the best rework cover of a song that the artist never received a writer's credit for. The original was done by bluesman Leadbelly, so it was a down tempo bluesy kind of number. And for an added twist, Australian band Spider Bait did a very cool cover of the cover.
Now to present some examples of those who basically do covers to either phone it in or to make a quick buck. Sadly, these few examples are ones that get played a lot on commercial rock radio. There are a lot to choose from, since it seems that every well known band has done covers, with the majority of them being just average/mediocre. Note: there will be no links as I don't want to add any more to the seven I already have.
- Whiskey In The Jar by Metallica: For me, this cover only stays true to the original lyrics and nothing else. Having grown up on Roger Whittaker (my father had odd tastes in music when I was a child), the original version of this song was a lively Irish folk tale, almost like a jig. The version by Metallica was something that just hurt my ears to listen to. Turning a song into a metal song doesn't instantly make it good...but it does give it the potential for it to be a money-maker/way for a metal band to keep their name in the public eye.
- Everlasting Love by U2: This was strictly a cash grab/keep the name out there between releases. The original is an uptempo sub-three minute song that makes you want to sing along to. This bleechy cover does nothing for the listener, as it's bombastic arena rock at its absolute worst.
- Last Kiss by Pearl Jam: Strictly a cash grab that offers no variation to the original. They turned a decent "teen death song" (a sub-genre in the late 50's that featured songs like this one and "Tell Laura I Love Her") into something that a no-talent person like myself could play blindfolded. The insipid drum beat sounds like it came straight from a recording studio from the same time period. Just. No.
- I'm Down by Adrian Belew: This was, in my opinion, an uninspired version of the Beatles classic. It just really didn't do anything for me, and it was definitely suited as a "B" side to the "A" side of "Oh Daddy!" (Billboard 100 chart). I kind of put it up there with the uninspiring bootleg version performed by the Beastie Boys.
It's sad that one can remember the bad versions of well known songs more than the original versions of the same song. There are a lot of cover songs that I've heard over the decades, courtesy of college radio and internet radio stations like SomaFM and believe that at least 70% of them are really good, and this includes all genres that I've been exposed to over the decades. It's the remaining 30% that bothers me to the point of being exceptionally unbent, because it's often those 30% that get the most airplay.
So I hope you've enjoyed my pleasant little diatribe about cover songs, and if cover songs are your jam, please check out SomaFM. SomaFM is another link in the chain of the only good thing to come out of California: music. They have a channel that is called "Covers", which plays nothing but in all possible genres.
Happy Monday!
