Flashback to the early 2010's, when my Holly was the absolute chillest cat you ever laid eyes on.
Back in mid-October 2024, I wrote a post that touched upon naming throwaway characters. It was a fascinating read to be sure, as I tried to dig a little deeper into my reasoning behind using certain names for my throwaways.
Today I decided to revisit that particular post in order to make another attempt at understanding why I like to use certain names repeatedly.
I think this is something that all writers go through from time to time, in that they become overly attached to a particular name, male or female, and decide to use an ungodly amount of time. If you really think about it, repeatedly using a particular name can be considered trope-like behavior.
Let's use me as a good example of trope behavior without really recognizing that I was doing it until a number of years had passed.
Way early on, I became quite enamored with the name Nikia. I first heard it used in the movie "Kill Bill, Vol 1", and I thought it was quite the badass name, even if it was attached to a young tween. So I started using it for a lot of my early stories whenever my lead female character was a badass. Ultimately it took me until the mid 2010's to pull the plug on using the name, as by that point it was going to be part and parcel of five stories (two novellas and a failed trilogy), and I was becoming quite sick of using it.
That 'sickness' eventually worked itself away, as I started using other types of names for my badass female characters (some involving a twist to the dark original name, e.g. Machiavelli). But it didn't really work for my male characters, as you will soon see.
The only reason that I fell in love with the name Melvin, is because of its versatility. Not as a character that would make a great protagonist, but as a character that would make a great antagonist. What immediately springs to mind when you hear the name Melvin? Annoyance? Disdain? Loathing?
Melvin is one of those names that you can say with any type of emotion and chances are, a character will be born out of that emotion. Think I'm kidding? Let me show you a few examples.
1} In my currently unpublished five volume fantasy series "Sister vs Sister", Melvin is portrayed as a loathsome, misogynistic piece of human excrement who is looking to take over the world (no, really). So in this particular instance, when I'm speaking/reading the name Melvin, I'm instantly disgusted/turned off by the mere utterance of his name. In other words, his name leaves a sour taste in my mouth.
2} Let's take a modest step back to the novella that I'm looking to publish this year, "To Live Is To Die Young". In this particular instance, Melvin is written as one of those fringe members of a society that really doesn't care about him. He comes off as an intolerable nuisance with barely any redeeming qualities. This time, when I'm reading/speaking his name, I want to severely mock him for being such a useless member of society, so in my head, my pronunciation of his name is one octave lower on the first three letters and one octave higher on the last three.
3) Let's take one more step back to a short story that I'm editing/reformatting for another small novella that I decided to work on while putting the aforementioned novella on the back-burner for a small moment in time. In this particular instance, Melvin is the name of the narrator of the story. He is written as someone who is both respected and loathed in equal amounts in a given friend group. In other words, when I read/speak his name, I want to treat him as someone who is the necessary evil that you need to keep your disparate friend group coagulating on a daily/weekly basis. In other words, I say his name with a healthy mix of disdain and tolerance.
So as you can see from these examples, the name Melvin can be molded/manipulated to any kind of character that you want to create, simply by uttering his name with whatever type of emotion you want to inject the name with. To be honest, it's starting to look like the name Melvin is going to be the literary equivalent of a character actor who becomes part of a movie/t.v. star's acting crew (e.g. John Wayne had a set number of character actor friends who appeared in his movies from the 30's through the 60's).
If I need an antagonist of some kind, whether minor/mid-level/semi-major, Melvin is going to be my go-to character name to fulfill that particular role. So my question to you is this: do you have a particular name, male or female, that in your eyes is versatile enough to appear in a good percentage of your stories in some particular way?
I don't think I've ever repeated a name.
ReplyDeleteI hear Melvin and I think of giving someone a wedgie!
That's been pretty much my initial reaction. But it's one of those malleable names that lends itself to a lot of creativity. I may start switching off to another soon though.
Delete